西尔维娅W. Houghteling

Sylvia Houghteling specializes in early modern visual and material culture with a focus on the history of textiles, 南亚艺术和建筑, and the material legacies and ruptures of European colonialism.

霍德林的第一本书, 印度莫卧儿王朝的布艺 (Princeton University Press, 2022) examined the textiles crafted and collected across the Mughal Empire in the sixteenth and seventeenth centuries, 展示了编织物如何帮助塑造社会, 政治, 宗教, 以及早期现代南亚的审美生活. The book received a College Art Association Millard Meiss Publication Fund Grant and won the 2023 Charles Rufus Morey Book Award from the College Art Association. 印度莫卧儿王朝的布艺 也是2022年R.L. Shep Memorial Book Award from the Textile Society of America. Houghteling’s ongoing research is concerned with questions of temporality and the unique material histories of the Indian Ocean trade.

霍德林获得了博士学位.D. 2015年获得耶鲁大学艺术史学士学位, where she received the Frances Blanshard Fellowship Fund Prize for her doctoral dissertation. 她的成绩是A.B. in history and literature from Harvard University (2006), and an M.菲尔。. 剑桥大学历史学士学位(2007年). Houghteling’s research has been supported by the Metropolitan Museum of Art, 美国学术团体理事会, 德国研究基金会(DFG), 富布赖特项目, 亨廷顿图书馆, Calouste Gulbenkian博物馆, 保罗·梅隆英国艺术研究中心, the Wolf Humanities Center at the University of Pennsylvania, 以及拜内克奖学金项目.

在进入艺术史领域之前, 霍德林获得了织布的经验, 纺织品染色, 时装设计, 毡呢, 刻版印刷, 和绢画. As someone who became interested in art through making it, Houghteling teaches and learns through conversations with contemporary practitioners and hands-on encounters with objects.

教学的兴趣

Sylvia Houghteling teaches undergraduate and graduate-level courses that study art objects in the context of the intercultural connections and conditions of exploitation of the early modern period; theories of ornament; the history of the textile medium; tapestry; and the visual arts and material culture of South Asia.

选定的出版物

*If it is not possible for you to access any of these publications in your library or online, 请直接与西尔维娅·霍德林联系 shoughteli@selenaumbrella.net.

• 印度莫卧儿王朝的布艺 (普林斯顿:普林斯顿大学出版社，2022). Recipient of the College Art Association Millard Meiss Publication Fund Grant, the Charles Rufus Morey Book Award from the College Art Association, and the R.L. Shep Memorial Book Award from the Textile Society of America.
• "Renaissance as Refreshment in the Mughal Empire: The Floral Carpets of Lahore and the Tarz-i塔扎 (新鲜风格)在17世纪南亚，”in 劳特利奇全球文艺复兴艺术指南, eds. Stephen J. Campbell and Stephanie Porras (New York: Routledge, 2024), 346-362.
• "Histories of Silken Skills: Immigrant Sericulturalists in Early Modern South Asia" in Skilled Immigrants in the Textile and Fashion Industries: Stories from a Globe-Spanning History, ed. Nazanin Hedayat Munroe (London: Bloomsbury, 2024) 21-40.
• “Beyond Ice: Cooling through Cloth, Scent, and Hue in Eighteenth-Century South Asia” Journal18 16(2023年秋季).
• “The Filaments of the Textile Trade: Subtle and Broad Trends in Exports from South Asia to Maritime Southeast Asia” Journal of Historians of Netherlandish Art (March/April 2023
• 《推荐全球十大博彩公司排行榜》中的“关怀伦理”, 《新叶:南亚的书籍艺术, ed. Sonal Khullar (Seattle: University of Washington Press, 2023), 67-91. 同行评议.
• “Wearing a Garden and Weaving Air: Fashion in the Mughal Empire” in India in Fashion, ed. 哈米什·鲍尔斯(纽约:里佐利出版社，2023)，40-51.
• “Kalamkari from the Coast: The Mughal Fame of Machilipatnam Cloth,” HALI 213 (Fall, 2022): 78-87.
• "被污染的媒介:查理五世的 征服突尼斯” in Purity and Contamination in Early Modern Art and Architecture, eds. Lauren Jacobi and Daniel Zolli (Amsterdam: Amsterdam University Press, 2021): 183-205.
• 《具象纺织品》，刊于 印度纺织品:1000年的艺术与设计, ed. 迷迭香Crill. (华盛顿特区.C.: George Washington University Museum and The Textile Museum of Washington, D.C., 2021), 274-285.
• “Dyeing the Springtime: The Art and Poetry of Fleeting Textile Colors in Medieval and Early Modern South Asia” 宗教 11 (2020): 1-20.
• “Origins in Entanglement: Connections Between English Crewel Embroidery and Indian Chintz” in Cloth that Changed the World: The Coloured Cottons of India, ed. Sarah Fee (New Haven: Yale University Press, 2020): 182-191.
• “‘From Scorching Spain and Freezing Muscovy’: English Embroidery and Early Modern Mediterranean Trade,” in The Mobility of People and Things in the Early Modern Mediterranean: The Art of Travel, ed. 伊丽莎白一个. 弗雷泽(伦敦:Routledge出版社，2020):9-26.
• 与Shibayama Nobuko合著， “工具 of the Master Dyer: Dye Materials in 17th and 18th Century South Asian Painted Cotton 纺织品 at the Metropolitan Museum of Art,” 纺织博物馆学报 46 (2019): 10-25. 
• “Chintz in Seventeenth- and Eighteenth-Century Europe: Appliqué and the Bizarre” in 贸易珍宝:面向全球市场的印度纺织品, ed. Ellen Avril (Ithaca: Johnson Museum of Art at Cornell University, 2019): 32-38.
• "The Tree of Life and the World of Wonder: ‘Ajā’ib Imagery on Seventeenth-Century Kalamkari” in Scent upon a Southern Breeze: The Synaesthetic Arts of the Deccan, ed. Kavita Singh(孟买:Marg出版社，2018):88-107.
• “The Emperor’s Humbler Clothes: Textures of Courtly Dress in Seventeenth-Century South Asia,” Ars胶 47 (2017): 91-116.
• “Sentiment in Silk: Safavid Figural 纺织品 in Mughal Courtly Culture” in Affect, Emotion, and Subjectivity in the Art and Architecture of Early Modern Muslim Empires, ed. Kishwar Rizvi(莱顿:Brill, 2017): 124-147.
• 《推荐全球十大博彩公司排行榜》 ArtVarta, ed. Jasleen Dhamija (Summer, 2016): 130-135.
• “From Foot-cloth to Petticoat: The British Uses of Indian Chintz ca. 1700” in Setting the Scene: European Painted Cloths 1400 – 2000, ed. Christina Young and Nicola Costaras (London: Archetype Books, 2013): 51-57.

点击这里观看YouTube视频: "Conversation: Where the Wind Blows: Histories of 纺织品 and Colours in the Works of Lavanya Mani"